Monday, May 20, 2013

Portrait Made Of Thousands Of Fingerprints







 



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“Fanny/Fingerpainting” represents one of the largest and most masterly executions of a technique Chuck Close developed in the mid-l980s. That technique involved the direct application of pigment to a surface with the artist’s fingertips. By adjusting the amount of pigment and the pressure of his finger on the canvas, Close could achieve a wide range of tonal effects. Typically, he worked from a black and white photograph which he would divide into many smaller units by means of a grid. He then transposed the grid onto a much larger canvas and meticulously reproduced each section of it. The result is a monumental, close-up view that forces an uncomfortable intimacy upon the viewer

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Chuck Close: Faces on CanvasCharles Thomas "Chuck" Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale
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